The Sunrise Coffee

sexta-feira, 27 de julho de 2012

The Daffodil Principle

This comes from Bob Proctor's newsletter I have subscribed to. It is a nice way of improving vocabulary. I only have to double click any word and its meaning appears!!! :)


Insight of the day

Dear Clarissa,
The following is a true story that we have sent in the past. It has a lesson well worth reading.
Here is your Friday story,
The Daffodil Principle
Several times my daughter had telephoned to say, "Mother, you must come and see the daffodils before they are over." I wanted to go, but it was a two-hour drive from Laguna to Lake Arrowhead. Going and coming took most of a day - and I honestly did not have a free day until the following week.
"I will come next Tuesday," I promised, a little reluctantly, on her third call. Next Tuesday dawned cold and rainy. Still, I had promised, and so I drove the length of Route 91, continued on I-215, and finally turned onto Route 18 and began to drive up the mountain highway. The tops of the mountains were sheathed in clouds, and I had gone only a few miles when the road was completely covered with a wet, gray blanket of fog. I slowed to a crawl, my heart pounding. The road becomes narrow and winding toward the top of the mountain.
As I executed the hazardous turns at a snail's pace, I was praying to reach the turnoff at Blue Jay that would signify I had arrived. When I finally walked into Carolyn's house and hugged and greeted my grandchildren I said, "Forget the daffodils, Carolyn! The road is invisible in the clouds and fog, and there is nothing in the world except you and these darling children that I want to see bad enough to drive another inch!"
My daughter smiled calmly, "We drive in this all the time, Mother."
"Well, you won't get me back on the road until it clears - and then I'm heading for home!" I assured her.
"I was hoping you'd take me over to the garage to pick up my car. The mechanic just called, and they've finished repairing the engine," she answered.
"How far will we have to drive?" I asked cautiously.
"Just a few blocks,"Carolyn said cheerfully.
So we buckled up the children and went out to my car. "I'll drive," Carolyn offered. "I'm used to this." We got into the car, and she began driving.
In a few minutes I was aware that we were back on the Rim-of-the-World Road heading over the top of the mountain. "Where are we going?" I exclaimed, distressed to be back on the mountain road in the fog. "This isn't the way to the garage!"
"We're going to my garage the long way," Carolyn smiled, "by way of the daffodils."
"Carolyn, I said sternly, trying to sound as if I was still the mother and in charge of the situation, "please turn around. There is nothing in the world that I want to see enough to drive on this road in this weather."
"It's all right, Mother," She replied with a knowing grin. "I know what I'm doing. I promise, you will never forgive yourself if you miss this experience."
And so my sweet, darling daughter who had never given me a minute of difficulty in her whole life was suddenly in charge - and she was kidnapping me! I couldn't believe it. Like it or not, I was on the way to see some ridiculous daffodils - driving through the thick, gray silence of the mist-wrapped mountaintop at what I thought was risk to life and limb.
I muttered all the way. After about twenty minutes we turned onto a small gravel road that branched down into an oak-filled hollow on the side of the mountain. The fog had lifted a little, but the sky was lowering, gray and heavy with clouds.
We parked in a small parking lot adjoining a little stone church. From our vantage point at the top of the mountain we could see beyond us, in the mist, the crests of the San Bernardino range like the dark, humped backs of a herd of elephants. Far below us the fog-shrouded valleys, hills, and flatlands stretched away to the desert.
On the far side of the church I saw a pine-needle-covered path, with towering evergreens and manzanita bushes and an inconspicuous, lettered sign "Daffodil Garden."
We each took a child's hand, and I followed Carolyn down the path as it wound through the trees. The mountain sloped away from the side of the path in irregular dips, folds, and valleys, like a deeply creased skirt.
Live oaks, mountain laurel, shrubs, and bushes clustered in the folds, and in the gray, drizzling air, the green foliage looked dark and monochromatic. I shivered. Then we turned a corner of the path, and I looked up and gasped. Before me lay the most glorious sight, unexpectedly and completely splendid. It looked as though someone had taken a great vat of gold and poured it down over the mountain peak and slopes where it had run into every crevice and over every rise. Even in the mist-filled air, the mountainside was radiant, clothed in massive drifts and waterfalls of daffodils. The flowers were planted in majestic, swirling patterns, great ribbons and swaths of deep orange, white, lemon yellow, salmon pink, saffron, and butter yellow.
Each different-colored variety (I learned later that there were more than thirty-five varieties of daffodils in the vast display) was planted as a group so that it swirled and flowed like its own river with its own unique hue.
In the center of this incredible and dazzling display of gold, a great cascade of purple grape hyacinth flowed down like a waterfall of blossoms framed in its own rock-lined basin, weaving through the brilliant daffodils. A charming path wound throughout the garden. There were several resting stations, paved with stone and furnished with Victorian wooden benches and great tubs of coral and carmine tulips. As though this were not magnificent enough, Mother Nature had to add her own grace note - above the daffodils, a bevy of western bluebirds flitted and darted, flashing their brilliance. These charming little birds are the color of sapphires with breasts of magenta red. As they dance in the air, their colors are truly like jewels above the blowing, glowing daffodils. The effect was spectacular.


It did not matter that the sun was not shining. The brilliance of the daffodils was like the glow of the brightest sunlit day. Words, wonderful as they are, simply cannot describe the incredible beauty of that flower-bedecked mountain top.
Five acres of flowers! (This too I discovered later when some of my questions were answered.) "But who has done this?" I asked Carolyn. I was overflowing with gratitude that she brought me - even against my will. This was a once-in-a-lifetime experience.
"Who?" I asked again, almost speechless with wonder, "And how, and why, and when?"
"It's just one woman," Carolyn answered. "She lives on the property. That's her home." Carolyn pointed to a well-kept A-frame house that looked small and modest in the midst of all that glory.
We walked up to the house, my mind buzzing with questions. On the patio we saw a poster. "Answers to the Questions I Know You Are Asking" was the headline. The first answer was a simple one. "50,000 bulbs," it read. The second answer was, "One at a time, by one woman, two hands, two feet, and very little brain." The third answer was, "Began in 1958."
There it was. The Daffodil Principle.
For me that moment was a life-changing experience. I thought of this woman whom I had never met, who, more than thirty-five years before, had begun - one bulb at a time - to bring her vision of beauty and joy to an obscure mountain top. One bulb at a time.
There was no other way to do it. One bulb at a time. No shortcuts - simply loving the slow process of planting. Loving the work as it unfolded.
Loving an achievement that grew so slowly and that bloomed for only three weeks of each year. Still, just planting one bulb at a time, year after year, had changed the world.
This unknown woman had forever changed the world in which she lived. She had created something of ineffable magnificence, beauty, and inspiration.
The principle her daffodil garden taught is one of the greatest principle of celebration: learning to move toward our goals and desires one step at a time - often just one baby-step at a time - learning to love the doing, learning to use the accumulation of time.
When we multiply tiny pieces of time with small increments of daily effort, we too will find we can accomplish magnificent things. We can change the world.
"Carolyn," I said that morning on the top of the mountain as we left the haven of daffodils, our minds and hearts still bathed and bemused by the splendors we had seen, "it's as though that remarkable woman has needle-pointed the earth! Decorated it. Just think of it, she planted every single bulb for more than thirty years. One bulb at a time! And that's the only way this garden could be created. Every individual bulb had to be planted. There was no way of short-circuiting that process. Five acres of blooms. That magnificent cascade of hyacinth! All, just one bulb at a time."
The thought of it filled my mind. I was suddenly overwhelmed with the implications of what I had seen. "It makes me sad in a way," I admitted to Carolyn. "What might I have accomplished if I had thought of a wonderful goal thirty-five years ago and had worked away at it 'one bulb at a time' through all those years. Just think what I might have been able to achieve!"
My wise daughter put the car into gear and summed up the message of the day in her direct way. "Start tomorrow," she said with the same knowing smile she had worn for most of the morning. Oh, profound wisdom!
It is pointless to think of the lost hours of yesterdays. The way to make learning a lesson a celebration instead of a cause for regret is to only ask, "How can I put this to use tomorrow?"
Jaroldeen Asplund Edwards


Bob proctor's website: http://bobproctor.com/
                                                       http://www.insightoftheday.com/default.asp

terça-feira, 24 de julho de 2012

Now, I am about to start studying the book...

A History of English Literature
1918
by Robert Huntington Fletcher




which is available on the wonderful site: http://www.about.com/  in the link: http://classiclit.about.com/library/bl-etexts/rfletcher/bl-rfletcher-history-table.htm

I am very excited about going through this whole history.
It is going to be a very nice and appreciative journey!!!




domingo, 1 de julho de 2012

My birthday


         Today, I reckon I should leave a message due to my birthday. Sincerely, I did not get that excited as I did when I was young since I used to count how many days there would be for the occasion. Today is important to think over the past, reconsider when I failed and I succeeded, but mostly important embracing life as an important gift  to be shared with the ones I love.
       If I look at my past, I see many difficult situations, but thanks to those, I have brought to myself too much experience and developed a more mature point of view. I still need to make a lot of effort to accomplish all my projects and concerning these, I can afirm I am pretty obstinate: what I want, I am going to get. It does not matter how long it will take, I will go for it.
       I would like to thank God for making this career move happening to me in a very nice way and also for sending me the right members to make my life happier: my beloved dog Pierre, my boyfriend, my friends and family who stood by me and still do through my entire life. I can not take for granted the memories of my father whom I would like to give a hug on right now, however his life was given to God's hand. If I just could send a Sedex to Heaven, the message would be: "Thanks for being my father, I miss you deeply in my heart". I also thank my Guardian Angel for protecting me in a lot of situations.   

Clarissa

quinta-feira, 10 de maio de 2012

Happy Mother's Day!


Dear mom,

It is pretty hard to express my gratitude in words. You were, are and always will be my heroine. I know I used to express more my feelings when I was a little girl. In such an age, we can be more emotive.
You gave me the best adolescence I could have ever asked for in my beloved Teresópolis. You helped me out throughout all those years. Thanks for everything, especially for letting me come to this world, learn with you, share all the moments. Life is a delightful journey and it has been a great one with you by my side. 
Happy Mother’s Day!

Love you,

From: Clarissa
To: Myriam


sábado, 21 de abril de 2012

Answering about hunger in the world...


How can the distribution of food be more equitable? Is hunger caused by lack of food or lack of distribution? What can people in the developed nations do to help abolish world hunger?

There has been a great movement of products, capitals and services among various countries for the past decades. This is supposed to increase since obtaining profitable results is the goal of all companies in the world. But, at the same time, all continents have to face a reality: How can a country make progress in some sectors such as e-commerce, chemical, electronics, toys if it is not capable of fighting against misery and hunger? All kinds of incentives are given to investors to invest in the national companies so that they can increase profits through mass production. However, the problem of hunger is due to a lack of money in people’s hands, not of distribution. If a country comprises a large number of miserables, of course they will not be able to feed themselves properly. So, hunger is the consequence of not giving people a reasonable access to society. Everybody needs good education to find a job which  can provide some basic things to live, although this does not allow them to have a complete access. What about the minimum salary? If people do not take part in it, they will always be excluded.  Governments do not usually worry  much about this situation, although some institutions like ONGs (not the corrupt ones) dedicate their time and money to provide people the access to food. Campaigns should involve more other classes of societies and get them to help these people. Distribution should be more equitable, but it depends on how governments will see to this problem. Maybe, it is possible to guarantee a part of food production and a spare part  from companies and supermarkets as donations to ONGs . Yet, creating  these programs can be a good option to minimize hunger and misery. Let's hope it gets better in the future.

sexta-feira, 6 de abril de 2012

Soul of the Age: A Biography of the Mind of William Shakespeare
by Jonathan Bate



© Random House
Random House, 2009

When I first began studying and reading Shakespeare, there was just a handful of indisputable facts about William Shakespeare. These facts and reasonable suppositions have grown exponentially in the last half century, fueled by a corresponding rise in literary research, sleuthing, and sometimes luck. Consider, for example, the recent revelation of what is very likely a portrait of Shakespeare that was simply hanging in a private home.

Subtitled "A Biography of the Mind of William Shakespeare," Soul of the Age "is intended as an intellectual biography of the man in the context of the mind-set into which he was born and out of which his works were created." While Bate has drawn from the plays and poems, along with contemporary Elizabethan history and treatises, he minded Barbara Everett's admonition that such a task is "never literally and never provably" true. Perhaps the preeminent Shakespeare scholar writing and teaching today, Bate is a professor of Shakespeare and Renaissance literature at the University of Warwick. Living near Stratford-upon-Avon with his wife and children provides ample opportunity to soak up the mystique of Shakespeare and to research his life.

Jacques' famous speech delineating the seven ages of man in As You Like It frames the chronology of the Bard's life, from the "infant mewling and puking" to that ultimate moment that comes to us all: "sans teeth, sans eyes, sans teeth, sans everything." Trying to resuscitate someone born 445 years ago requires dogged detective work coupled with literary analysis within the historical framework of Shakespeare's life. The facts around him are easy to come by; the facts about him are more problematic. Bate's masterful work presents a solid case for new facts and speculations.

This is not a biography to be read straight through; rather one should take time to ingest and savor the delectable banquet that Bates sets. Or, as Shakespeare's contemporary Bacon would have it, this is a book to be devoured. The writing is clear and unencumbered, the arguments presciently presented. In fact, Bate tells us in the introduction that this is "not an exact mapping," but that we can "follow the tracks" of Shakespeare from Stratford to London and back again. In writing this life of Shakespeare's mind, Bate sought to avoid the "deadening march of chronological sequence that is biography's besetting vice..." Each section draws from the span of Shakespeare's life to demonstrate how, for example, the lessons learned as a child informed his work throughout his life. Bate has succeeded in spades.

There is something to learn on every page, although there is much here that the "ever reader" (i.e., serious reader) will already know. So much of this information is put into a different context as to make it new and fresh again, giving new interpretation to the most mundane of previously known information. Bate writes about the so-called "lost period," a seven-year stretch beginning in February 1585. It begins with the christening of his twins Hamnet and Judith, and ends with Robert Greene's "Shake-scene" reference in 1592. Speculation has had Shakespeare fighting in the Dutch wars, studying to be a lawyer, teaching school, or traveling to Italy. Bate indicates that Shakespeare was mentioned twice in connection with a legal case filed in 1588 and heard a year later in 1589 before the Queen's Bench in London. He believes that Shakespeare was in London during this period, "reading the law" as it were, because he was actively involved in trying to recover money in this particular property case.

Shakespeare's birth was literally and figuratively in the "deep heart" of England, geographically and culturally. It was to this birthright that he returned repeatedly with actual visits home and literary returns in his references to the flora and fauna of Warwickshire, the people, their daily lives, and their folkways. Bate builds a cogent argument to explain how Shakespeare came to write as he did with the classical allusions and storytelling expertise. A teacher's handbook of that time, for example, indicated that students were to "keep in fresh memory the argument, matter and drift of the place which they are to construe." For Shakespeare, this meant paying attention to the "speaker, the context, the motivation for the speech." Paying attention to the fiction of the story meant that it would be consistent in the telling of its "facts."

Through each of the seven stages (Infant, Schoolboy, Lover, Soldier, Justice, Pantaloon, Oblivion) Bate builds his case for Shakespeare and the milieu that informed his writing. There can be no de Vere, Bacon, or Marlowe writing under the guise of Shakespeare. There is only one, and his life created a mind so encompassing that it is incomprehensible to imagine that anyone could have written in his stead. If you are going to read one book about William Shakespeare this year, this is the one. The scholarship is impeccable, the writing felicitous, the knowledge to be gained immeasurable.


Note: All other related articles in the site are advisable to be read.

sábado, 3 de março de 2012

A Novel About the Creation by Alan Lightman

Mr. g A Novel About the Creation
by Alan Lightman

 “As I remember, I had just woken up from a nap when I decided to create the universe.”

So begins Alan Lightman’s Mr. g: A Novel of the Creation, in which the narrator, Mr. g, recounts the story of his creation of the universe. Mr. g, or if you will - God, lives in a place he describes simply as the Void. His only companions in this vast nothingness are his Aunt Penelope and his Uncle Deva, a pair of bickering yet well-meaning elders who throughout the novel attempt to guide Mr. g in this new hobby of his, the creation of a universe.

Or universes (plural), really, because after fine-tuning the basic elements of both time and space, Mr. g experiments with the act of universe creation - a spin here, a pinch there - until, “After a time, a gigantic number of universes were flhying about - spinning on their axes, throbbing and pulsing, expanding and contracting at fantastic speed.” Before long however, Mr. g, taking Aunt Penelope’s advice, decides to focus on a single universe that he names Aalam-104729 (the Muslim name for “universe” prepended to the 10,000th prime number), in which he not only invests some organizational principles, but also decides that each living thing in the universe will have a sort of soul, an awareness of his or her maker.


Mr. g is a short and relatively breezy read, particularly for a novel that ruminatively bridges the matters of creation and evolution and turns its attention on sticky notions like predestination and free will. That said, Lightman, who in addition to being a novelist is also a theoretical physicist, has the keen ability at times to turn physics into poetry:

"Following my laws for the electrogmagnetic force, each such quivering of charged particles unleashed a flood of polarized photons with kaleidoscopic colors, creating a display far more spectacular than the evanescent veils of the Void. There were cascades and blooms of light, spiraling helices of energy, resonant oscillations of quark clouds. And the most eerie sounds: ultra-high-frequency moans and rips and dissonant crescendos as the gaseous plasma filling up space shuddered with each passing shock wave and compression of energy.”

Lightman also employs the perspective of his narrator uniquely to shed light on philosophical matters of existence, as in this Creator’s-eye-veiw of the passage of time and impermanence:
"Nothing was lasting, nothing was permanent. Living creatures, beings with minds, were the most fleeting of all. They came and went, came and went, came adn went, billions upon billions of lives, each quick as one breath. Atoms converged in their special arrangements to make each precious life, held together for moments, then scattered to dull lifeless matter again."

A huge and potentially contentious topic turns beguiling in Lightman’s deft hands. While drawing from Muslim, Hebrew, and Christian apocrypha for some of his nomenclature, he manages to steer clear of delving into any specifics of religion, instead marrying a more generalized notion concerning creation with current theories in the realms of physics, astronomy and biology. Lightman’s ability to abstract principles both scientific and philosophical and then filter them through the eyes of an all-powerful yet humble narrator makes Mr. g a fascinating thought experiment.

Source: http://contemporarylit.about.com/od/fiction/fr/Mr-G-A-Novel-About-The-Creation.htm